𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻 – 𝗤𝗮𝗻𝘂𝗻 𝗮𝗿𝘁𝗶𝘀𝘁 – 𝘔𝘪𝘳𝘳𝘰𝘳𝘴. 𝑆𝘢𝑐𝘳𝑒𝘥 𝘌𝑐𝘩𝑜𝘦𝑠 𝑜𝘧 𝘈𝑡𝘭𝑖𝘵 𝘊𝑎𝘷𝑒

12 Tʀɪʙᴇs Mᴜsɪᴄ ⁻ ʙʏ Mᴜsɪᴄ Pᴏʀᴛ Isʀᴀᴇʟ.
Non profit that promotes music and musicians from Israel.
traditional. original. sacred. secular.
https://12tribesmusic.org
email: 12tribesmusic@musicport.org.il
to listen on Spotify: https://open.spotify.com/album/3SPn3g5szh1GW3cSDTmrIN?si=jTy04otDRpCHTcGQuZ3K6w

𝗠𝗶𝗿𝗿𝗼𝗿𝘀 by 𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻 – 𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻 𝗯𝗮𝗻𝗱 – ⁨ @Sarelkanun
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𝗺𝘂𝘀𝗶𝗰𝗶𝗮𝗻𝘀 𝗶𝗻 𝘃𝗶𝗱𝗲𝗼:
qanun: 𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻
keyboard: 𝗠𝗶𝗰𝗵𝗮𝗲𝗹 𝗟𝗶𝗻𝗶𝗸
percussion: 𝗗𝗮𝘃𝗶𝗱 𝗗𝗮𝗴𝗺𝗶
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𝗺𝘂𝘀𝗶𝗰𝗶𝗮𝗻𝘀 𝗶𝗻 𝗿𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴:
Production, Recording, Mix & Mastering: “𝗕𝗔𝗞𝗔𝗟”
qanun: 𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻
keyboard: 𝗥𝗼𝗻 𝗕𝗮𝗸𝗮𝗹
cello: 𝗠𝗮𝘆𝘂 𝗦𝗵𝘃𝗶𝗿𝗼
trumpet: 𝗢𝗳𝗲𝗿 𝗠𝗶𝘇𝗿𝗮𝗵𝗶 & 𝗔𝗿𝘁𝗵𝘂𝗿 𝗞𝗿𝗮𝘀𝗻𝗼𝗯𝗮𝗲𝘃
drums: 𝗦𝗵𝗹𝗼𝗺𝗶 𝗖𝗼𝗵𝗲𝗻
percussion: 𝗥𝗼𝗲𝗶 𝗙𝗿𝗶𝗱𝗺𝗮𝗻 & 𝗗𝗮𝘃𝗶𝗱 𝗗𝗮𝗴𝗺𝗶
bass: 𝗡𝗲𝘁𝗮𝗻𝗲𝗹 𝗦𝗶𝘁𝗼𝗻

𝘃𝗶𝗱𝗲𝗼 𝗽𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 –
Director of Photography & Editing: 𝗕𝗼𝗮𝘇 𝗥𝗮𝗯𝗶𝗻𝗼𝘃𝗶𝘁𝗰𝗵
Camera man assistant: 𝗧𝘇𝗮𝗵𝗼𝘃𝗶
Production manager: 𝗦𝗵𝗮𝗸𝗲𝗱𝗶 𝗦𝗮𝗺𝗮𝗵
filming location: 𝗛𝗼𝗿𝘃𝗮𝘁 𝗞𝗮𝗿𝘁𝗮, 𝗔𝘁𝗹𝗶𝘁
content editor and 12𝙏𝒓𝙞𝒃𝙚𝒔 𝒎𝙪𝒔𝙞𝒄 artistic director: 𝗧𝗮𝗹𝘆𝗮 𝗚.𝗔 𝗦𝗼𝗹𝗮𝗻


✨ 𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻 ✨
Sarel is a 𝗾𝗮𝗻𝘂𝗻 master, composer, and arranger.
His musical influences come from both Eastern tradition and Western culture.

His first album, produced with ‪@SHIRANandBAKAL‬, combines diverse inspirations – from the East and the West, from the old and the new, and from the conservative to the liberal view.

The album reveals his personality’s complex and contradictory layers and brings aromas of jazz, Turkish and Arabic music, progressive rock, and funk.

𝗧𝗵𝗲 𝗾𝗮𝗻𝘂𝗻, 𝗸𝗮𝗻𝘂𝗻, 𝗴𝗮𝗻𝗼𝘂𝗻 𝗼𝗿 𝗸𝗮𝗻𝗼𝗼𝗻 (𝘈𝘳𝘢𝘣𝘪𝘤: قانون, 𝘳𝘰𝘮𝘢𝘯𝘪𝘻𝘦𝘥: 𝘲𝘢̄𝘯𝘶̄𝘯; 𝘈𝘳𝘮𝘦𝘯𝘪𝘢𝘯: քանոն, 𝘳𝘰𝘮𝘢𝘯𝘪𝘻𝘦𝘥: 𝘬’𝘢𝘯𝘰𝘯; 𝘚𝘰𝘳𝘢𝘯𝘪 𝘒𝘶𝘳𝘥𝘪𝘴𝘩: قانون, 𝘳𝘰𝘮𝘢𝘯𝘪𝘻𝘦𝘥: 𝘲𝘢̄𝘯𝘶̄𝘯; 𝘎𝘳𝘦𝘦𝘬: κανονάκι, 𝘳𝘰𝘮𝘢𝘯𝘪𝘻𝘦𝘥: 𝘬𝘢𝘯𝘰𝘯𝘢́𝘬𝘪, 𝘲𝘢𝘯𝘶𝘯; 𝘗𝘦𝘳𝘴𝘪𝘢𝘯: قانون, 𝘲𝘢̄𝘯𝘶̄𝘯; 𝘛𝘶𝘳𝘬𝘪𝘴𝘩: 𝘬𝘢𝘯𝘶𝘯; 𝘈𝘻𝘦𝘳𝘣𝘢𝘪𝘫𝘢𝘯𝘪: 𝘲𝘢𝘯𝘶𝘯; 𝘜𝘺𝘨𝘩𝘶𝘳: قالون, 𝘳𝘰𝘮𝘢𝘯𝘪𝘻𝘦𝘥: 𝘲𝘢𝘭𝘰𝘯) 𝗶𝘀 𝗮 𝗠𝗶𝗱𝗱𝗹𝗲 𝗘𝗮𝘀𝘁𝗲𝗿𝗻 𝘀𝘁𝗿𝗶𝗻𝗴 𝗶𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁 𝗽𝗹𝗮𝘆𝗲𝗱 𝗲𝗶𝘁𝗵𝗲𝗿 𝘀𝗼𝗹𝗼, 𝗼𝗿 𝗺𝗼𝗿𝗲 𝗼𝗳𝘁𝗲𝗻 𝗮𝘀 𝗽𝗮𝗿𝘁 𝗼𝗳 𝗮𝗻 𝗲𝗻𝘀𝗲𝗺𝗯𝗹𝗲.

The qanun has a long history in the Middle Eastern regions. The qanun had strings from animal intestines before the modern era, which were replaced with nylon, wound metal and PVF strings later. There are many different qanun versions with 24, 25, 26, and 27 courses of strings with 3 strings in each course.

The qanuns were forgotten instruments for a long time as they could not easily play all the notes needed in Turkish music. They came in use again when the musician Omer Efendi from Damascus brought them back to Istanbul during the time of Sultan Mahmud II between 1818 and 1839. Since that time, qanuns have been widely used in the country by amateur and professional musicians, including many Turkish women. It is thought to be the first musician to use the lever mechanism on qanuns was also Omer Efendi.


Style: 𝙈𝙞𝙙𝙙𝙡𝙚 𝙀𝙖𝙨𝙩𝙚𝙧𝙣, 𝙏𝙪𝙧𝙠𝙞𝙨𝙝, 𝙅𝙚𝙬𝙞𝙨𝙝, 𝙊𝙧𝙞𝙚𝙣𝙩𝙖𝙡, 𝙀𝙩𝙝𝙣𝙞𝙘
𝗦𝗮𝗿𝗲𝗹 𝗛𝗮𝗰𝗼𝗵𝗲𝗻 is an Israeli based musician, composer and arranger.


This piece brings together two worlds sound healing and authentic ethnic music.
Filmed inside the ancient cave of Khirbet Karta near Atlit.
The delicate and expressive sound of the qanun blends with subtle cave percussion to form a meditative and immersive soundscape.

This performance is inspired by ancient landscapes, spiritual silence, and the timeless connection between music and nature. might fit to meditation, sound healing sessions, yoga, creative work, or anyone who seeks grounding and inner calm.

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מראות
לחן ועיבוד: שראל הכהן
הפקה מוזיקלית, הקלטה ומיקס: רון באקאל

מוזיקאים בצילום
קאנון: שראל הכהן
פסנתר חשמלי מיכאל ליניק
כלי הקשה: דוד דגמי

מוזיקאים בהקלטה:
קאנון: שראל הכהן
פסנתר חשמלי: רון באקאל
צ׳לו: מאיו שבירו
חצוצרה: עופר מזרחי, ארתור קרסנובייב
תופים: שלומי כהן
כלי הקשה: רועי פרידמן, דוד דגמי
בס: נתנאל סיטון

הפקת וידאו
במאי, צלם, עורך: בועז רבינוביץ׳
עוזר צלם: צהובי
מנהלת הפקה: שקדי סמך

ניהול אומנותי ועריכת תוכן בערוץ: טליה ג. סולאן
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